THE ATTRACTION OF MULTI-VOICE PERFORMANCES IN NATIONAL SINGING

Authors

  • Shokirov Toxirjon Nurmamatovich Farg‘ona davlat universiteti o‘qituvchisi

Keywords:

maqom san’ati, ko‘p ovozlik, milliy musiqa, an’analar, o‘zbek san’ati.

Abstract

This article provides a comprehensive overview of the polyphonic traditions of Uzbek national maqom performance. It provides a comprehensive analysis of the historical roots of maqom art, its stages of development, and its role in contemporary performance. It also discusses the position of maqom art not only in traditional performance, but also in today's modern musical scenes. Polyphonic performance styles in maqom are especially recognized as one of the unique aspects of our national musical heritage.

References

Shokirov T. Monografiya. “O‘zbek milliy madaniyatini rivojlantirishda

vorisiylik.ijtimoiy- falsafiy tahlil. (musiqiy meros misolida)”.- Fargona. Klassik. 2023. b. 4.

Ikromov A. Maqomlar va ularning ijrochilik uslublari. –T.: Fan. 2005.128 bet.

Nizomova Z. O‘zbek musiqasi va uning nazariy asoslari. T.: Yangi asr avlodi. 2010.

bet.

Karimov B. O‘zbek maqom san’atining rivojlanish bosqichlari. – T.: Akademnashr.

Rajabov I. Maqomlar.- T.: San’at nashriyoti. 2006. B- 150.

Downloads

Published

2025-05-22

Issue

Vol. 2 No. 4.3 (2025): ART Issues of increasing the effectiveness of education based on creative communication and advanced methods in pedagogical practice

Section

Articles

License

Copyright (c) 2025 Shokirov Toxirjon Nurmamatovich

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

THE ATTRACTION OF MULTI-VOICE PERFORMANCES IN NATIONAL SINGING. (2025). Universal International Scientific Journal, 2(4.3), 343-345. https://universaljurnal.uz/index.php/jurnal/article/view/1929