GASTON LERUKS OPERA HAVASI HAQIDAGI TAHLİL.
Kalit so‘zlar:
Hikoya nazariyasi, Leroux, gotika, hikoya qiluvchi, fokalizatsiya.Abstrak
Adabiy hikoyalar ma'no va boshqa diskursiv funktsiyalarni ishlab chiqarish uchun vaqt va makon tartibida voqealar va belgilarning to'g'ri joylashishiga ega. Hikoyani tahlil qilishning asosiy g'oyasi hikoya qilishning mahoratli harakatini tekshirishdir. Gaston Lerouxning “Opera xayoloti” asari XX asr detektiv va sirli fantastika asari sifatida Frantsiyada ham, xorijda ham o‘ziga xos hikoya uslubi bilan gullab-yashnagan, garchi u gotika va fantastik jihatlarni qamrab olgan bo‘lsa-da. Maqolada roman hikoya nazariyasi nuqtai nazaridan tahlil qilinadi. Matnni hikoya sifatida ko'rib, u romanning strukturaviy jihatlariga e'tibor qaratadi, muhim texnika va qurilmalarga e'tibor qaratadi, hikoya darajalarining qo'llanilishini va ularning funktsiyalarini o'rganadi va muallif tomonidan ma'lum hollarda hikoya qilish uchun qanday foydalanilganligini tahlil qiladi. matn ichidagi voqealar. U rivoyat agentlarining interaktiv munosabatlarining barcha jihatlarini, jumladan, hikoya qilish usullari, fokalizatsiya, fazoviy va vaqtinchalik munosabatlar kabi masalalarni o'z ichiga oladi.
References
Aczel,Richard.“Polyphony”.Routledge EncyclopaediaofNarrativeTheoryLondon: Routledge,2005.Print.
Booth,C.Wayne, Phelan, James.“Narrator”.RoutledgeEncyclopaedia ofNarrativeTheory London:Routledge,2005.Print.
Cobley,Paul.Narrative. London:Routledge,2001.Print. Genette,Gerard. Narrative Discourse Revisited. Trans.Jane ELewin. Ithaca: CornellUP,1988.Print
Herman, David, Manfred Jahn, and Marie-Laure Ryan, eds. Routledge Encyclopaedia of NarrativeTheory.London:Routledge,2005.Print.
JahnManfred,“Focalization” .Routledge Encyclopedia of Narrative Theory. London: Routledge, 2005.Print.
Leroux, Gaston. The Phantom of the Opera.NewYork: BarnesandNoble, 2007.Print. Martin, McQuillan, ed.Narrative Reader. London: Routledge, 2000.Print. Neill,Patrick O.Fictions of Discourse: Reading Narrative Theory. Buffalo: Uof TorontoP,1994. Print.
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