THEORETICAL BASIS OF TEACHING ENGLISH TO STUDENTS OF FINE ARTS AND ENGINEERING GRAPHICS ON THE BASIS OF AN INTEGRATIVE APPROACH

Authors

  • Odilboyeva Umida Zafarjon qizi Namangan davlat pedagogika instituti

Keywords:

fine arts, foreign language education, cultural competence, multimodal education, creativity, interdisciplinary approach, creative methodology.

Abstract

This article analyzes the possibilities and pedagogical advantages of integrating visual arts in modern foreign language education from a theoretical and practical perspective. In an era of globalization and the growing need for effective intercultural communication, the development of language knowledge, as well as the formation of cultural competence, is gaining importance. Visual arts are a reflection of national values, traditions, and worldviews and can be a valuable tool in enriching foreign language education. This study substantiates the theoretical foundations of introducing visual arts into the language teaching process based on Howard Gardner's theory of multiple intelligences, Stephen Krashen's input hypothesis, and the multimodal learning approach. The article also examines practical and interdisciplinary strategies that serve to develop language learning, cultural literacy, and creative thinking in foreign language teaching. The results of the study show that integrating visual arts into foreign language lessons not only develops linguistic and communicative skills, but also serves to increase cultural awareness and student engagement in the lesson.

References

Gardner, H. (1983). Frames of Mind: The Theory of Multiple Intelligences. New York: Basic Books.

Krashen, S. (1982). Principles and Practice in Second Language Acquisition. Oxford: Pergamon Press.

Byram, M. (1997). Teaching and Assessing Intercultural Communicative Competence. Multilingual Matters.

Duncum, P. (2009). Visual Culture in the Art Class: Case Studies. International Journal of Art & Design Education, 28(3), 241–252.

Cottrell, S. (2019). The Study Skills Handbook. Red Globe Press.

Rakhimov, K. (2023). THE PLACE OF GRAPHICS IN THE FINE ARTS. Solution of social problems in management and economy, 2(2), 5-8.

Rakhimov, K. (2023). THE ROLE OF PORTRAIT ARTISTS IN FINE ARTS. Models and methods in modern science, 2(2), 13-19.

Rakhimov, K. (2023). THE SIGNIFICANCE OF SCULPTURE IN THE DEVELOPMENT OF MODERN FINE ART OF UZBEKISTAN. Current approaches and new research in modern sciences, 2(2), 5-9.

Rakhimov, H. U. (2023). ANALYZING THE PROFESSIONAL QUALITIES OF FUTURE FINE ARTS TEACHERS BASED ON ART STUDIES. Экономика и социум, (1-1 (104)), 50-53.

Muzaffar o’g’li, X. S., & Umarjon o’g’li, R. X. (2022). OZBEKISTON RANGTASVIR SAN’ATIDA PORTRETCHI RASSOMLAR IJODINING TUTGAN ORNI. PEDAGOGS jurnali, 5(1), 316-319.

Umarjon o’g’li, H. R. (2021). TECHNOLOGIES FOR IMPROVING COMPOSITION AND DRAWING SKILLS BASED ON THE RULES OF COMPOSITION. Galaxy International Interdisciplinary Research Journal, 9(12), 765-767.

Pulatov, D. S., & Kh, R. U. (2019). On fine arts and its varieties. Вестник магистратуры, (4-4 (91)), 89-90.

ogli Rakhimov, H. U. AJMR. AJMR.

Downloads

Published

2025-05-22

How to Cite

THEORETICAL BASIS OF TEACHING ENGLISH TO STUDENTS OF FINE ARTS AND ENGINEERING GRAPHICS ON THE BASIS OF AN INTEGRATIVE APPROACH. (2025). Universal International Scientific Journal, 2(4.3), 320-322. https://universaljurnal.uz/index.php/jurnal/article/view/1918